Colonial Heritage, Power, and Contestation

Part 1: Paths of Decolonisaton.- Geoepistemology of Heritage. For a Circular Culture from Latin America.- Lusotopia: Cultural Heritage, Coloniality and Resistance.-  Current Times, Critical, and Future Thinking: Contribution to Rights-Led Approaches to Heritage.- Patrimonialization and Decoloniality: The Contributions of The Registration of Immaterial Cultural Goods in Brazil.- Caring for Black Monuments: Decolonial Heritage Practices in Havana and Cárdenas.- Burning Monuments: The Debate on the Decolonization of Memory in Contemporary Brazil.- Part 2: Restitution and Repatriation of Cultural Objects.-Restitution and Repatriation of Cultural Objects: Repatriation of Cultural Assets and their Museological Use from a Post-colonial Perspective.- Restitution of Indigenous Cultural Objects in Latin America: NAGPRA as a Model?.- The Reason for the Artefact: Collective Memory in the Repair Policy for Illicitly Trafficked Cultural Goods.- (De)colonially Negotiating the Past: The Quimbaya Treasure Between the Gift and the Return Requests from Colombia to Spain.- The Veins of Latin America Remain Open: The Movement of Cultural Goods and Colonialities.- Part 3: Museums, Discourses, and Power.- Decolonial Approaches to Cultural Heritage in Latin American Museums.- Andean Colonial Paintings: A Space on Negotiation?.-Entangled Heritage: National Museums, Colonialism and African Objects in Diaspora.-  Paths of Anti-racist Toponymy: Renaming Places in the Little Africa Region in Rio de Janeiro.- The Trajectory of Latin American Artefacts through European “places of memory”: Tupinambá Mantles and Moche “huacos”.- Part 4: Frontiers of Decoloniality.- Decolonialism, Paulo Freire and the Triangular Approach.- Coloniality, Race, and Indigenous Knowledge in Reports of 19th Century Explorers in Southern Brazil.-Quilombola Mesquita Community: Ethnic Resistance and Decoloniality.-  Tumbe. Afrodiasporic Arts in the Andean.- “A Symbol of Union and Peace Among American Nations”: Inter-American Relations, Historical and Cultural Heritage in the 1940s.- Writing with Eight Hands. The Historical Exhibition of the Commemorations of the IV Centenary of São Paulo City: Disputes Around Cultural Heritage.- The Mirror of Modernity: Brazilian Modernist Architecture Recognized as World Heritage Sites.